FELIZ NAVIDAD les desea Santa, Papa Fuete y los Krampus en este año 2010.
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Santa, Papa Fuete and the Krampus wish you a MERRY XMAS 2010.
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Estas son las sketchcards sobre Zombies vs Cheerleaders que hice para el set de 5finity productions (USA) con tema de Halloween.
Todas hechas a mano con marcadores prismacolor.
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These are the sketchcards i made for the Zombies vs Cheerleaders set from 5finity productions with a halloween theme.
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Estas son las sketchcards sobre el comic de HACK/SLASH que hice para el set oficial de 5finity productions (USA).
Todas hechas a mano con marcadores prismacolor.
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These are the sketchcards i made for the official HACK/SLASH set from 5finity productions.
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Hice esta pieza para el concurso de Sketchoholic de hoy, no gané pero fué muy entretenido crearla :D
La idea comenzó partiendo del concepto de que todos los fantasmas están desnudos, luego...
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Estas son las sketchcards sobre FEMALE PERSUASION que hice para el set oficial de 5finity productions (USA).
Todas hechas a mano con marcadores prismacolor.
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These are the sketchcards i made for the official set from 5finity productions called FEMALE PERSUASION.
They where done in Prismacolor markers.
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Estas son las sketchcards sobre MIXTAPE de "Jim Mahfood" que hice para el set oficial de 5finity productions (USA).
Todas hechas a mano con marcadores y creyones prismacolor.
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These are the sketchcards i made for Jim Mahfood's MIXTAPE official set from 5finity productions.
Son piezas casteadas en resina y pintadas a mano, series limitadas de 8.
VisÃtanos en el área de los artistas este 30 y 31 de julio y 1 de agosto.
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This is a small preview of what we Ana Sánchez and I Glen Fernández are going to show at the Avalancha Convention 2010.
These are resin casts hand painted individually. Limited to 8 pieces.
Acabo de montar mi entrada para el concurso de comic que trata sobre una guÃa de como viajar en el tiempo para tontos, lo pueden leer aquà (y si quieren pueden votar también ^^) http://cggallery.itsartmag.com/story.php?title=Time-travellers-guide-COMIC-entry-by-Glenfx---ENGLISH---
...Hey I just uploaded my entry for the time traveller's guide challenge. You can read (and vote for it) through the link im posting here:
http://cggallery.itsartmag.com/story.php?title=Time-travellers-guide-COMIC-entry-by-Glenfx
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Se trata de cachorros y chicas (P'ups), tema libre, todas hechas a mano con marcadores y creyones prismacolor.
Hice 10 sketchcards de una variación llamada "cats out of the bag" (gatos salidos del saco) (solo dos personas hicimos sobre esta variación) y 4 sobre cachorros que recibà de retorno (Artist Exclusive)
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These are the ...
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Se trata de Zombies vs Cheerleaders, tema libre, todas hechas a mano con marcadores y creyones prismacolor.
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These are the sketchcards i made for the Zombies vs Cheerleaders official set from 5finity productions. (my first official set)
They where done in markers and colored pencils.
LINK to Telltale's site
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Hoy apareció una imagen de Max que hice para las noticias semanales de los martes en la página oficial de telltale, estas imágenes rotaran cada semana (es decir que cada 5 semanas mi imagen aparecerá ^^)
LINK a la página de Telltale
I haven’t been asked how i work, but i thought i could show anyway.
I start by drawing the page in pencil, then i import it in Manga Studio for the ink work. I use a guide so the most important art and text doesn’t get cut away if i ever print it, so i have this guide on (blue box) and arrange everything important inside it.
Then I start inking, although its done digital i never use vectors, i get best results by inking it as if i where doing it by hand, this way i get the imperfections i would have by doing it on paper, what i like about digital inking is that it gets much cleaner and i just export and color without problems. (Click the image to see the inked lines I work with, note the image was zoomed 500%, it was worked at 600dpi)
Most importantly I ink every silhouette or shape complete so i can fill the colors easily later without the colors filling more than they need to.
I start by drawing the page in pencil, then i import it in Manga Studio for the ink work. I use a guide so the most important art and text doesn’t get cut away if i ever print it, so i have this guide on (blue box) and arrange everything important inside it.
Then I start inking, although its done digital i never use vectors, i get best results by inking it as if i where doing it by hand, this way i get the imperfections i would have by doing it on paper, what i like about digital inking is that it gets much cleaner and i just export and color without problems. (Click the image to see the inked lines I work with, note the image was zoomed 500%, it was worked at 600dpi)Most importantly I ink every silhouette or shape complete so i can fill the colors easily later without the colors filling more than they need to.
